Unsupported Browser
The web browser that you are currently using is no longer supported, and as such features of this website may not work as expected. We advise you to update to a currently supported browser (such as Chrome, Edge, or Firefox) to improve your security, speed, and overall experience.
We currently have this product in stock and available for dispatch.
Stock Location
| German Distribution Hub: | 1 |
"Get it" shows the next available date that we will be able to deliver this item to you on, depending on the delivery option you select, and the stock availability of anything else that you add to your shopping basket.
1-year warranty & 30-day money-back guarantee included
If you decide your order isn't suitable for any reason you can return it - just let us know within 50 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.
Eligibility for Money Back Guarantee
Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
- CDs, DVDs and Software
We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.
In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.
When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.
This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.
| UK & Europe | EU Standard | Gear4music Standard | Gear4music Optional |
|---|---|---|---|
| Return Period | 14 days | 50 days | up to 180 days |
| Standard delivery charges refunded? | Yes | Yes | Yes, up to 30 days |
| Upgraded delivery charges refunded? | Standard costs only | Standard costs only | Standard costs only |
| Free collection on cancellation | No | No | Yes, up to 30 days |
| Free collection if defective, delivered damaged or incorrect item | Yes, within 14 days | Yes, within 14 days | Yes, within 30 days |
We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.
Spread your payment with Klarna. No fees.
Split the cost into 3 equal monthly payments of 106,00 € - interest free
Key Features
Nearly New: This product may have been opened for quality control purposes, returned by a customer, refurbished, or may have non-essential parts or software missing. Otherwise, the product operates as new. This is a great opportunity to buy a fully functioning product at a discounted price.
Product Ref: 135288
With several control knobs and 2 simultaneous delays that can be manipulated, the DIG can create a range of different delay effects. The pedal features three different delay types to choose, the first being a modern 24/96 delay that create pure, high resolution digital delays with subtle dynamic processing. The second type is an early 80’s adaptive delta modulation, offering snappy, percussive delays, while the 12-bit pule code modulator creates dark, warm delays. Also featuring the ability to add modulation to the delay line, and five subdivisions, the DIG can deliver delays ranging from syncopated pulsing delays to spaced out echo trails.
Strymon’s DIG pedal uses two simultaneous delay together to give the effect plenty of atmosphere. By using the two delays together, the effect sounds full and round whilst offering the ability to create new sounds and styles. The master delay can range from 20ms to 1.6s, offering slapback type delays to huge echoes. The second delay follows closely behind the master delay, but can be altered via the control knobs to create intricate echoes and atmospheric repeats. The Second delay can be set to be independent from the first delay, to create a chorus or flange delay.
The Dig Digital Delay pedal features five control knobs with secondary functions to give you as much control over shaping the three different delays. The secondary functions can be accessed by holding down both footswitches and then turning the desired knob.
The Time control is used to set the delay time for the master delay, whilst also acting as the master time control for both delays. In its secondary function, the time knob controls the master delays subdivision. In this mode the control sets the tap tempo subdivision for the master delay, when turned to the left the subdivision is a dotted eighth note, The centre provides a quarter note subdivision, and dialled to the right creates a half note subdivision.
The Mic control is used to dial in the amount of wet/dry mix for the master delay, whilst the secondary function becomes the filter control to dial in the feedback filter response. When set to the left in this mode, the pedal delivers a high cut filter response, while the centre position produces a flat response, and when dialled to the right, offers a low cut response.
The time 2 control sets the amount of rhythmic subdivision there is between the two delays, offering Triplet, Eighth, Golden Ratio, Dotted Eighth, Dotted Quarter. Its secondary function is used to enable and disable the time sync and subdivisions, allowing the second delay to be separate from the master delay.
This control knob set the amount of repeats both delays have, whilst its second function only affects the second delay. When turned full to the right when using the secondary function, the number of repeats for the second delay ties with the number set for the first delay.
Mix 2 is used to control the amount of wet/dry mix for Delay 2, allowing you to adjust how much your guitar is affected by the second delay. The secondary function lets you alter the configuration of the delay signals routing, giving you the option to choose between series, ping pong, and parallel.
